JL50 Review: Let’s roll back in the past with some twists

JL50 star cast includes Abhay Deol, Pankaj Kapur, Piyush Mishra, Ritika Anand, Rajesh Sharma, Amrita Chattopadhyay, Barun Chanda, Saswati Guhathakurta, Gautam Sarkar, Sourav Datta, Aparajita Ghosh, Pujarini Ghosh & others.

Ritika Anand, Bob Gaider, Yasmin Gaider, Abhayanand Singh, Piyush Singh & Shailender Vyas produced the movie. Shailender Vyas was the writer & director of the film.

Aseem Trivedi gave the music. “JL50” is genuinely wasted their only chance!

Three adaptable artists in Pankaj Kapur, Piyush Mishra, and Rajesh Sharma, separated. The arrangement had a particularly fascinating reason.

A plane accident lands in the slopes of Bagdogra in West Bengal—and prepare to have your mind blown. 35 years earlier. Everything starts as JL 50 is a flight taken off from Kolkata an entire 35 years prior!

The survivors don’t know the first thing that they were not in 2019, and demand they were in 1984! Shantanu (Abhay Deol) and his partner Gaurango (Rajesh Sharma).

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The 2-man CBI group explore the seized plane are confounded. On the off chance that what the two survivors are stating is valid, and one of them is Mitra (Piyush Mishra), a sensitive yet fascinating man, at that point, what’s going on, truly?

Considerably more interesting, the two survivors, the other being Captain Bihu Ghosh (maker Anand herself), have not matured by even a day. So what’s reality?

Here was a chance for a refreshingly unique, absolutely including wrongdoing cum-science fiction thrill ride that took the subject of time travel and made a fantastic and for Indian film different story on it.

With openings in the story that can’t be referenced as they would be spoilers for those needing to find “JL50” at any rate!

Tragically, a brilliant chance in the form of JL-50 is wasted, and a not-exceptionally persuading clarification follows.

The entirety is a sensibly close and tight first scene in an arrangement that turns out to be dynamically looser as we come. Initially arranged as a 2-hour film.

Thus there are just four scenes of around 30 minutes each, as this was. Once more, I should repeat solidly that the current situation has saved Hindi film merchants, no doubt, as there has not been a solo film that might have been a genuinely constructive suggestion or raving success!

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This one would have been another calamity. The music has a solid S.D. However, Burman-meets-Eastern people’s headache is oddly not essential by any stretch of the imagination.

Abhay Deol again gets into test mode and is his standard sluggish self.

Pankaj Kapur attempts to save the image with his calm character. However, he as well isn’t too noteworthy.

Piyush Mishra is more than marginally ludicrous and stays halfway between screen acting and hamming with unerring consistency. There isn’t much Rajesh Sharma can do, and Ritika Anand is only sufficient, just like the remainder of the cast.

It is hard to state what is more vulnerable Shailender Vyas’ content or his course. I think the previous successes the questionable honor. The film is okay. However, it looks trashy every so often.

In any case, for the exceptional topic, there isn’t anything here to suggest. Envision saying that the best thing regarding this arrangement is its short span!

JL50 was given a high star rating despite its poor industry performance. Mixed reviews are going on the market regarding the movie. Many critics are enlightening and praising the film, and many criticize the same.

Our verdict would be, one-time watch movie. The total stars given were two out of five stars. As in whole, you can keep it on your watch list if you like the old town movies.