‘Cop Secret’ Locarno Review: Derivative action film parodies are arranged in Iceland for change

Friendly Icelandic Spoof Secret SEES Director / Co-Writer Hannes Thor Halldórsson makes a smooth transition. From professional sports to the world of film features.

Advanced words in the picture focused on the fact that Halldórsson. And had become the first goalkeeper of the national football team for more than a decade. This film, however, proves sufficient interests and crowd-pleasing charms to stand with their abilities.

Somewhat generous praising the main competition slots in Locarno for the prime of the world:

This fast-paced romp can destroy the office boxes at home (in local jokes everywhere abundant). And arrange gilling throughout the Nordic / Scandinavian region. Furthermore, he could make a reasonably positioned kind of Arctic cousin Edgar Wright’s Hot Fuzz. At the same time, the plot was handled with Jauntainy

. About two complex and ferocious policemen. Who is accidentally forced to work together? Then became “far more than just partners”. Make it a must for LGBT + themed festivals and midnight film slots.

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There is a long-term argument that no director must have a parody essay. Without first showing the capacity to carry out real things with a straight face. However, Hannes can point to Wright’s initial career – who started back in 1995 with the Nano budget, Crowdfunded Mock-Western Finger. The COP secret is a mere mounted. By comparison, many set-piece actions and Hollywood style pyrotechnics. That are brought with technically confident and comic brio persuasive.

Gag Secret Secret Secret COP (The original title that is botdly translated as ‘detective’):

It is the absurdity of the high octane shenanigan that takes place inside. And around the Reykjavik roads that are not so cruel. A local shot with Elli Cassata cinematographer resembles the European or American metropolis North. It was even exploding interludes and a cute atmosphere in ‘Chinatown’.

The part of the city that did not find until now. All of this is a background for bromance-cum-romance between Reykjavik “the heaviest police,” dysfunctional, hard-drinking, pizza-munching, Loner Bússi (Authunn Blöndal). And which is equivalent to the following, more prosperous jurisdiction.

As is annoyed by Egill Einarsson (better known in certain quarters as DJ Muscleboy). Hörthur is the opposite of rich Bussi. Urbane, educated, multilingual, sophisticated, dressed intelligent, neat. But no less effective when it appears to solve the crime and slam the suspect Behind bars.

After the initial macho friction, the opposite turns very interesting. It was not a problem at all for the 21st-century Hörthur. Which we are told early “defines itself as a pans*xual”. But something from a psychological obstacle to schools that are older Bússi.

The edge pair that is not suitable (then sprint) towards physical compassion is threatened:

And managed by Rikki Ferrari (Björn Hynur Björnsson), a former friend catwalk former model Hörthur changed criminal mastermind crazy. In one of the films is usually a Daft but the practical touch, Rikki.

Many are given to the absonant of ridiculous aphorism taken from the animal kingdom. Giving almost all lines in English accented America diverse echoing Nicolas Cage. Michael Madsen, Kurt Russell’s Snake Plissken and Donald Trump Alec Baldwin.

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The complex Rikki plan involves Iceland’s gold and spinning around a significant soccer match. Between the Icelandic and English football teams. Hannes rejected the temptation to cancel the reference to soccer. He developed the climax on the tone of the critical element from the final.

Which nimbly juggled three simultaneous locations through editing Guthni Halldórsson. From the first to the last, Hannes with loving to make fun of the COP genre’s Myriaad worn. And cliche, complete with knowing and sharp dialogue. From co-scriptwriters Nino Petersen and Sverrir Thór Sverrisson – the last one.