The Boy From Medellin Review: About the rockstar who broke all the records

The Storyline of the Boy From Medellin:

“Reggaeton-Ton-Ton-Ton!” The song moved the crowd of the vast city of Mexico because of J Balvin. Did the last arena of the show before humiliating Medellin. The city of North Colombia where he was born and first appeared. It’s been a whirlwind for Balvin since 2014. When it’s slippery, Spin Hookey in Reggaeton takes the Latin music market. With a storm before crossing to a broader audience response with the song “Ay Vamos”. Primarily for placement in Furious 7. And Mega, Mega, Mega Hit “Ginza” from 2016, Earworm skittering with rhythms and hooks that speak international languages.

As a private jet wing, Balvin to Medellin. The supercut of his medium saturation appeared – Latin grammy haul, appearance on Fallon and SNL; The name of the drops of Barack Obama. Not bad for middle-class children with no more than MPC beat machines, big dreams, and bucket loads of crowds. Balvin arrived at a one-week house from a big show. It began to get down at Girardot Cavernous Medellin’s full stadium, and director Matthew Heineman (Cartel Land, City of Ghosts). Also captured Balvin’s life when he prepared for the show.

Huddling on his sleek and modernist bed in Medellin:

Balvin told his team how he remembered going to Astanio 15 years ago to see all the Great Reggaeton, “Nicky [g], [father] Yankee, Ivy Queen.” Now it turns. But while the entire city of pulses with excitement about the concert, it was also shaken by protest. A supporter of “Latin Spring” rose to the streets to call the Colombian President. Ivan Duque and demanded social and economic change. Over the walk and the sound of protests rose in the volume. And installed pressure in Balvin to recognize movement, and selecting the side. He taunts on social media as “lukewarm boy from Medellin.”

In addition to calls for social justice that questioned his role as the leading Latin voice. The boy from Medellin also explored Balvin’s conflict felt. Between his public personality and personal life where he was still Jose. He said dichotomy contributed to his sustainable struggle with anxiety and depression, a journey he had discussed publicly. (He shown doing it from the stage in Mexico City.) When the show day arrived and the assistant team, manager, stylist, and Balvin’s pastor about his universe. The question of how he would overcome protests like that is crucial. As his condition and chose to destroy Single to appear for his hometown hustle.

Review and critical analysis of the series:

The boy from Medellin gets two essential things about the problem: Jose Balvin. The man, really adores him, his girlfriend, old friends, and the city of origin; And J Balvin, the Superstar, is a construction supported by a dream. But was built based on anxiety disorders, depression, panic attacks and fears. That he would not be good enough for the city – or worse, the same family failure. Among the Blessed Motorcycle Montages and Hands of Rabbi fans who won. Balvin spoke directly to the camera in a sit-down that found it.

To reflect on the nature and relevance of Mega-Stardom, and the best way to use the platform contacted. It comes from a place of honesty, but there is also one or two anger. Or even the dismissal of what is expected from an artist from his stature. “We should be ‘state president’. Balvin said in the most surprising for a journalist. “What they don’t want to hear” Did he know it or not? At times like this, Balvin seemed to reveal his version that genuinely would not be assigned. By answering the protesters’ questions at all.

Still, he comes when it’s the time right:

Finally, after hours and hours of music, partying, uninterrupted excitement, and pure escape. It completes with smoke machines, Confetti, some changes in costumes and dancers on the stage, mimicking the anime character Reggaetonero. That gripped the mic in the Antanasio Show and talked to The people. With protests that went berserk outside the stadium. And the comunas lights mixed with glare from the massive stage. Balvin said, “I spoke in the name of the young man”. And after calling for a piece of silence, finale rousing from the set of homes. It felt like the improvement of promises to unity, peace, and humanitarian justice. Contested by artists and protesters struggling throughout the whole week. The boy from Medellin captured life. This is right to reveal this document.

The vibration of Balvin party music is refreshing. Although the boy from Medellin can use more direct recording, what contains it bright and immersive. However, in a greater sense, Medellin is really about the very personal Balvin trips towards clarity and health.